BECKY YAZDAN SETTING FIRES
with works by Jana Paleckova
February - April 2020
Please note that at this time we are working remotely.
Fred Giampietro Gallery is pleased to present the recent work of painter Becky Yazdan.
Yazdan describes this new and and exciting work in a recent statement, "While previous bodies of work focused on memories of past events and emotions, these new pieces unfold in response to life events happening in real time. Painting is a way for me to digest and process experience and emotion and offers a way to retell the story or at least to make peace with it. The process involves an exchange between assertion and denial which ideally ends in acceptance and resolution, keeping the mind calm in order to avoid a mutiny.
The titles of the paintings play an integral role in the final piece. While they allude to the subject matter of the painting they ultimately keep the viewer at a distance -- you are invited in but then kept at bay. Spray paint and squeegee provide a fast way of cancelling out or covering up the ugliness, exposure and fear allowing a new (if damaged) slate on which to begin again."
Becky Yazdan received her MFA from the NY Studio School, studying with Bill Jensen and Graham Nickson. She received her Bachelors of Fine Art from the University of Colorado at Boulder. Yazdan’s work has been exhibited throughout the East Coast and New York and she has received many prestigious awards including the Emma Strain Award, Top 100 Artists by GLAAD, and the Hohenberg Travel Award.
In the small gallery a selection of works by self-trained artist Jana Paleckova are on view. Grace-Yvette Gemmell writes about Jana's work, "Jana Paleckova has been picking bones with the past. After rummaging through boxes of discarded vintage photographs in antique shops and flea markets, the 34-year-old Czech artist was intrigued and frustrated by the absence of any immediate context attached to such neglected images. The photos appeared riddled with lacunae; they were ciphers of histories at once preserved and unknown. Paleckova engaged in a bit of tongue-in-cheek necromancy with the orphaned photographs, teasing playful new narratives into the unwitting images. She develops a tug-o-war between the past and the present in the resulting works, treating them like artifacts deserving of preservation and as found objects ripe for use as raw material.
Layering fanciful, humorous imagery in color onto the surfaces of antique photographs of anonymous, largely decontextualized subjects, Paleckova’s oil-paint interventions blend seamlessly, if impertinently, into the original portraits. Her exuberant additions also supplement the photographs’ narratives; they augment and exaggerate rather than simply frame these found photographs. The original subjects of the portraits remain at odds with the visual addenda that encroach on them; at times, the intrusion of these new elements even appears to confuse the subjects. Rather than clarify the interpretation of these images stripped of context, her visual annotations—more suggestive hypertext than explanatory subtext—are so enigmatic that they tend to further muddle and fracture no matter what. This, however, seems to be the point: Paleckova’s work presents hybrid images that operate in a merry chorus of competing motifs, each inflating, exceeding, confounding, and complementing the other. Capitalizing on the absence of clear context or locations in the photographs, Paleckova works to underscore the ways in which images like these at once invite and resist revision or explanation, which is what ultimately makes them so enticing."
Fred Giampietro Gallery is at the old A. C. Gilbert factory Erector Square, less than1 mile from interstate I-91 and 2.2 miles from Union Railroad Station at 315 Peck Street, Building 3, New Haven, CT 06513. For more information please call the Gallery at (203) 777-7760
Riley Brewster - dates and details to come . . .